I purposely stayed away from IMDB, Rotten Tomatoes, and even the local movie critic before watching the film. I tend to whore out the movie info sites before watching anything. I never look for spoilers, but any information is welcome.
Speaking of which...The Truth is Still out there and SPOILERS ARE IN HERE!
If you want to be surprised, then stop reading at the posters and look for the Apollo 11 logo at the bottom. Anything in between those two images comes with SPOILERS. I am sorry for the SPOILERS, but I cannot give my full opinion of the film without telling you about some concrete images.
Well, I liked it, but I am a die hard fan. If a movie based on a TV show were ever to alienate or disappoint its fanatics then something horrible must have happened. Something along the lines of the devil making the movie himself. The X-Files: I Want to Believe (IWTB) does no such thing. The exact opposite happens and everything seems to happen to bring Mulder and Scully to the focus.
What did the rest of America think about it?
EEEEPPP! A 31% rating on Rotten Tomatoes! Not good at all! That is only six points higher then Step Up 2: The Streets and five points below 2 Fast 2 Furious! What was that about the devil again?
It is not fair to compare those movies to IWTB. Both of those movies were horrible from the first teaser trailer. If IWTB is supposed to be as big a flop as that rating indicates then we were disappointed once the film ended? What happened?
Duchovny and Anderson bring back their patented energy and chemistry for the movie. Their own little drama makes up for the weak points in the plot. Anderson looks particularly fabulous as Scully. Time has been kind to her and she has not lost any of the dominance she had over the role. I think Duchovny looks great too and for an actor that has tried to move beyond the Mulder role, he falls right back into the quips, rants, and asides. Watching them on screen feels like slipping on a pair of old jeans. The people have still got it.
I got several of my movie wishes granted. No Krycek and CSM. Skinner shows up, but he comes so late in the movie that he is as ethereal as many of the ghosts the agents hunted during the series. I do not know what Mitch Pileggi has been up to since the series ended, but he to comes right back into the Skinner role. He just has the screen presence and intense look (Here in dubbed, "The Pileggi") that makes it feel like he is recognizing ten different things in the room he can use to kill you. You don't fuck with "The Pileggi" look.
Skinner's cameo was great, but it came out of nowhere. He just happens to pop out of black SUV after Scully says she need to speak to someone else at the FBI. What is he? The FBI's special teams? These quick intros and exits exemplify what I think to be the biggest weakness in the film. Like the season 7 episode, this movie is in a "Rush," and it shows. In an opening scene we are lead to believe that Scully and Mulder had some sort of a falling out and hardly speak to one another. This makes sense in light of Mulder's fugitive status at the end of the series and the existence of the neo-conspiracy. Scully has a bit of a tighter alibi and spared of Mulder's pariah status, she becomes a full-fledged doctor at a Catholic hospital. However, right after the scene where Scully explains the relationship, she drives up to an isolated farm house that she and Mulder share. I thought it was his little hideout, but that is there house. I ran with my mistaken belief through the first crime scenes. Mulder and Scully are definitely getting back into their groove while the question the supposedly psychic Father Joe (Well acted by Billy Connolly, but with little character development), but Scully fears that Mulder will be swept back into "the darkness." She would also then be swept into the mix, forcing her to abandon her work and terminally ill pediatric patient. Hence, they are former partners and lovers, divided by their desire for stability and safety versus "the truth."
Of course, the very next scene is a classic Scully in bed moment where she reflects on the case under the covers. We then see Mulder pull up from behind her and start to spoon with her! We do not get to see the deed, but it is directly implied that they made love just a few moments ago and you were probably out getting popcorn you sucker movie goers.
Don't get me wrong! Seeing Mulder and Scully spooning in bed like a pair of old lover set my fanboy heart a flutter. And not in some kinky way, but in a Fuck Yeah! sort of way. All wonderful stuff, but didn't we just spend thirty minutes realizing that they are trying to keep a low profile? I guess not.
The plot is a bit loopy. This creates both pros and cons. I will not get into any huge spoilers, but there a few notable scenes that just seem there to pad for time, most notably an exchange between one of the villains and a lawyer. Consequently, all the characters in that scene are played by no-names with no connection to the franchise canon. Considering that what brought Mulder and Scully back together was a missing FBI agent, we spend no time learning exactly why this agent is impossible enough to ask for Fox Mulder's help. Amanda Peet does as much as she can with her brief character and their are inklings that she is supposed to have some sort of professional crush on Mulder. Thankfully, these ham handed bits do not lead to a Scully/Dakota Whitney catfight and Peet's character is quickly killed off. This also felt rushed, as if the creators wanted to up the villains "evil" ranking. Are we supposed to feel bad for her? No one on the case seems to. Xzibit acts what is essentially an X-Files mold role of "super skeptical cop." He does it well with a deep voice that comes off as both authoritative and defiant. Like Sam Jackson Lite. Very lite, actually.
The nice bit of the loopy plot is that we get treated to several possible explanations for the crimes. Could it really be a psychic connection? Or is it something more mundane like plain old fashioned kidnapping? The twists are OK and keep the plot fresh, albeit un-shocking. The end proves anticlimatic. The agents get their man, but considering that the criminals one henchman is "Guy With An Ax," it makes you miss the days when the agents had to battle Alien Bounty Hunters and the entire Peacock family to solve the case. It was nice to see a true mad scientist as the villian and you cannot deny the sheer fun of an actual mutant two-headed guard dog! But, again, he only has one.
It is a beautiful looking movie with many gorgeous snows capes. None of the images are especially haunting or arresting, but the slow pacing of a line of FBI men with scouting poles contrasts nicely with the exploding summer blockbusters. There is one lovely scene where we view Father Joe face on as he walks toward us (i.e., a frozen lake). In the background is a snowy cabin and the spruce trees behind it are throwing off a faint miasma of snow that creates an icy rainbow. If the X-Files series had been shot as a cheap set sitcom/drama then these scenes would be mind blowing and innovative. However, IWTB is a victim of its parent's own success and just meets the bar of lovely X-Files backdrops.
Mark Snow is back at the sound board and you couldn't ask for anyone else but this series veteran to provide a soundtrack. There are some humorous touches. I think some people might find an early scene where Scully and Mulder are waiting in an FBI hallway and the cameras pans to a portrait picture of George W. Bush. The X-Files theme music then chimes in and both agents looked puzzled. This is both a jab at an unpopular president (And he looks particularly goofy in the picture in case you want to thrown in "Leftist Hollywood" conspiracy observations) and a reference to the show's history. Pictures of public officials are not uncommon in federal facilities and you could always see the floating head of Bill Clinton or Janet Reno in Skinner's office. In the later seasons this was changed to Bush to reflect his swindl...err...I mean election in 2000. In an ultimate "Pileggi" moment I could Skinner beating CSM to death with a framed picture of Janet Reno!
I find it interesting how many online discussions mentions how a successful (or unsuccessful) movie performance could determine the future of the series. I must have missed something because I consider this a nice epilogue. Like Sex and The City: The Movie, IWTB exists because it would be great to see our favorite characters again. The film is unkind to newcomers. If you never watched an episode of The X-Files then this would be a truly horrible movie. It might do well if you have a casual attraction to the show or remember older family and friends watching it in the 1990's. It can make you want to explore all the back story that the movie plays fast and loose with. All the nostalgic touches (William, the fish tank, the sunflower seeds, the pencils, Samantha, Scully's faith, etc.) whip up fanatics, but can either confuse or annoy first comers. Sadly, IWTB has no scares or chills. If this was supposed to be an important chronicle in X-Files history then where is the scary zing?! The writer play around with the very idea of the X-Files. When Scully fears that Mulder will get sucked back into "the darkness" and lose his mind he retorts by saying this is what he does. Interesting to consider the X-Files defined not so much by finding the elusive truth, but instead defined by the search for it. Getting there is half the fun in The X-Files and it lends the show an air of agelessness.
If you could not guess from the X-Files Week coverage, I was excited for this movie and the lack of hype actually made me even more anxious. I never expected it to become a smash, but still expected something higher then 31%. Designed to signal the end of the summer 2009 movie season, IWTB premiered only a week after The Dark Knight. Since our theater still had three screens showing that Batman bad boy it is safe to say that IWTB had quite the expectations to meet. We got a big long episode, which is usually the flaw in TV to film adaptations, but considering the movie was just supposed to have some fun in the X-Files universe, that formula feels necessary. It still accounts for many of the film's weaknesses, but bringing the conspiracy back to full life and ending on some cliffhanger would have muddied the X-Files experience.
I would have paid $9.50 to see Mulder and Scully share a cup of coffee and slice of pie at the local diner. I would have still wanted to see Skinner pull off his "Pileggi," but X-Files can take me anywhere. If IWTB makes even just one new viewer want to give the TV series a try then it was all worth it.
Peace and Don't Give Up!
*Well...they might make a Green Lantern movie. Someday. Or another movie based on a Palahniuk book or CivilWar Land in Bad Decline film. I pray for a Daredevil remake. Every God damn day.
No comments:
Post a Comment